News & Events
The Ray and Diana Harryhausen Foundation and the National Media Museum regret to announce that plans to lodge the Ray Harryhausen Collection on long term loan at the Museum in Bradford will not now be pursued.
It has been mutually agreed between the Foundation and the Museum that the Collection will remain under the control and direct management of the Foundation. Having worked together to begin the task of archiving Ray’s collection and preserving his legacy, both organisations are committed to maintaining a close relationship covering advice and mutual support, as well as cooperation on projects and exhibitions for the future.
It is also expected that certain items from the Collection will be on display at the National Media Museum or the Science Museum in London on a regular basis.
Contact Tony Dalton at The Ray & Diana Harryhausen Foundation – firstname.lastname@example.org.
Ray, and subsequently the Foundation, have recently had to take action to protect the Ray Harryhausen name against unauthorised use. Please be aware that we will protect Ray's legacy and his name and we will not tolerate the use of either his name or the Foundation's unless otherwise approved by the Foundation and its Trustees in advance. At the same time we would encourage Harryhausen fans to buy only genuine Harryhausen merchandise.
As announced on the Home page, the
Foundation is pleased to announce the opening of the Harryhausen Facebook
page and Twitter. Phil Boot, The Foundation Collection Manager, will be
updating both on a regular basis, showing items of interest and discovery in
Ray's vast and growing collection.
The Ray & Diana Harryhausen Foundation are pleased to announce the
acquisition of an original Mighty Joe Young model. One of four
originals built by Willis O’Brien, Harry Cunningham and Marcel Delgado.
The model has been donated to the Foundation by the BFI (British Film
Institute) who originally acquired it for the London Museum of Moving Image
from the late film historian Leslie Halliwell.
Sadly the acquisition took place after Ray’s death but we know that he would have been thrilled and delighted that a model, for which he designed the armature and animated over 90% of the film, has come ‘home’. He always said that everyone had a model but him. Ray did however know the model very well as it appeared at MOMI with some of Ray's models, which have now also been returned to us.
The Foundation will preserve the model, which still has most of its latex covering and some fur, for public exhibitions in the future.
The Foundation has decided to name it ‘Jennifer’ as a tribute to Ray who called his animation model the same.
We would like to the thank the BFI for its generosity.
The Foundation is pleased to announce the release of the definitive Harryhausen documentary - RAY HARRYHAUSEN: SPECIAL EFFECTS TITAN, which has been produced by Frenetic Arts in Paris, and the Foundation and distributed by Arrow Films.
Aside from interviews with the great man himself, shot over ten years, there are also interviews and tributes from Vanessa Harryhausen, Randy Cook, Peter Jackson, Nick Park, Phil Tippet, Terry Gilliam, Dennis Muren, John Landis, Ken Ralston, Joe Dante, John Lasseter, Guillermo Del Toro, James Cameron and many more.
The Foundation have provided unprecedented access to all aspects of the collection including models, artwork and miniatures, as well as Ray's private study and workshop, where he designed and built most of his famous creations. In addition, the documentary uses unseen footage of tests, experiments and dailies found in London and during the clearance of his old LA garage. Never before has so much visual material been used in any previous documentary about Ray.
The 94-minute production illustrates the influence that Ray's work has had on film makers during the past sixty or so years but will also disclose secrets which Ray has been reluctant until now, to reveal.
The Foundation and Frenetic Arts are very grateful to the copyright holders, namely Aardman Animations, AMPAS, The British Academy of Film & Television Arts, the British Film Institute, Walt Disney Studios, Gaumont, Jerry Bruckheimer Prod's, Lucasfilm, New Horizon Pictures, Pixar, Sony Pictures, Studio Canal, Twentieth Century Fox, Universal Pictures, Walsh Bros and Copperheart Ent. All of these companies have kindly allowed us to use their footage and images without charging us a license fee for use in this film.
We are also extremely grateful to all those individuals who have given their services to the production without charge and who have helped us to bring this film to fruition namely: Colin Arthur, Rick Baker, Martine Beswick, Phil Boot, Ray Bradbury, Greg Broadmore, Sam Buckland, Tim Burton, John Cairney, James Cameron, Randall W. Cook, Joe Dante, Guillermo del Toro, Matt Dravitzki, Sacha Feiner, Terry Gilliam, Vanessa Harryhausen, Jean- Pierre Jeunet, Andy Johnson, Steve Johnson, Andrew Jones, John Landis, John Lasseter, Mark Mawston, Caroline Munro, Dennis Muren, Vincenzo Natali, Nick Park, Ken Ralston, Henry Selick, Rel Pinto, Steven Spielberg, Phil Tippett, Robert Townson, John Walsh, Christopher Young and finally Tim Nicholson who has spent nearly seven months securing clearances and approvals.
All the proceeds, after production costs, will go to the Foundation to help with preservation and restoration of the more vulnerable items in the collection, so allowing us to exhibit these unique objects into the foreseeable future.
Please click on the images below, to view larger versions:
Gilles Penso (director) and Alexandre Poncet (producer) during the
filming of models, including the sabre-tooth tiger (shown).
Tony Dalton (Curator of the Harryhausen collection) shows Alexandre
Poncet the Cyclopean Centaur that featured in The Golden Voyage of
|Tony Dalton and Gilles Penso pose with
the armature of the Cyclops that featured in The 7th Voyage of
© Frenetic Arts & The Ray & Diana Harryhausen Foundation.
9th November 2012
The European Premiere of Ray Harryhausen: Special Effects Titan
took place at The Gate Cinema in Notting Hill, London on Friday 9th
November. It was a full house with the public joining family and
friends such as Vanessa Harryhausen, Honor Blackman, Gary Raymond, Leslie
Silver (Charles Schneer's daughter), Peter Lord, Barry Purves and David
Sproxton. Remarkably Ray was not only able to attend but stayed until
the end of the Q&A, which included the film makers Gilles Penso and
Alexandre Ponset, John Landis, Carline Munro, Nick Park and Tony
Please click on the images below, to view larger versions:
The Foundation is also pleased to announce that they are working on a new DVD/Blu-ray collection that we hope to produce and release 2014/15. Until recently the Fairy Tales and all of Ray's early experiments and shorts have been available on a Sparkhill Video release. These have all now been reacquired by the Foundation for inclusion, with new unseen footage and the old and new commentaries, in a set of DVD/Blu-ray discs. The project will be produced by the Foundation with John Walsh of Walsh Bros, a UK production house.
To add to this unique DVD collection we be Ray's last interview which took place in October 2012, the London Film Museum exhibition that has now concluded although there is a still a small exhibition at the museum. Ray spent the morning with Tony reminiscing about his films and the models included in that exhibition.
One of Ray's final projects
With the help and generosity of UK film maker John Walsh, chief executive of Walsh Bros Productions, we began recording new, and we hope, more entertaining feature and shorts commentaries with Ray on the 17th May 2012. Since that date we recorded Clash of the Titans, Mysterious Island, The 3 Worlds of Gulliver all with Tony Dalton. Also recorded were First Men in the Moon with Randy Cook, The Valley of Gwangi with Vanessa Harryhausen, One Million Years B.C. with Martine Beswick, The Golden Voyage of Sinbad with Caroline Munro, Mighty Joe Young with John Landis and Sinbad and the Eye of the Tiger with SFX artist Colin Arthur. This last was recorded in January 2013. Uniquely the commentaries were also filmed. All these recordings are owned by the Foundation and they contain many new revelations by Ray on how his films were created and produced. We hope that the film's copyright holders will see the value in these unique filmed recordings and use them on their DVD and Blu-ray releases in the future. Ray so enjoyed recording these commentaries and always enjoyed talking about the films and with the guests.
Tony with young Ray during the recording of Clash of the Titans
on the 17th May 2012.
Photo: Simon Harvey.
Following the recording of Mysterious Island on 7th June 2012. Left
to right - Tony, John Walsh (Producer/Director), Ray and Phil Boot, the
Collection Manager for the collection.
Photo: Simon Harvey.
At the suggestion of visual effects artist Phil Tippett, the Foundation decided to cast Ray's hands for posterity and this was done on 31st May 2012. Alan Friswell, who was at that time the Foundation's restorer, made sure that both hands were accurately reproduced in a suitable pose. The Foundation will be making limited editions of the hands which we hope we can release in 2014
9th - 10th November 2013
Tony will be attending the Norwich Puppet Theatre in Norfolk, England on Saturday 9th and Sunday the 10th. He will be giving a lecture about Ray and his work on the 9th and also joining animator and artist Barry Purves in a Q&A, which will be followed by book signing by Tony.
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